真正的大师都在深藏不露（褚秉超用时间与空间）

ARTCLOUD中国SAP艺术大奖年度新锐艺术家（雕塑及装置类）褚秉超，他有属于自己的诗意世界，也有自我对自然、社会与艺术的自我见解，透过他的作品找到一种新的方式去诠释自然与人的关系。看似宏伟的项目，却往往是最纯粹的意义的表达，艺术家在这些作品及过程中，找到”人的本质“或是”存在“的意义。

Chu bingchao, artist (sculpture and installation) of the year of Artcloud SAP （China）, has his own poetic world and his own views on nature, society and art. Through his works, he finds a new way to interpret the relationship between nature and man. Seemingly grand projects are often the expression of the purest meaning. Artists find the meaning of "human nature" or "existence" in these works and processes.

I BUDDHA 2014

这是一次在甘肃、陕西、宁夏三地寻找残损的石窟造像，并根据造像的开凿年代、地域差异、物体形态等风格特征对其进行修缮的工作。在历时一年的时间里，我修补佛像50 尊，每尊造像不仅是由我亲手修缮，并在修复时我还将自己的个人形象和对佛像的理解以及当时的心情一并融入造像之中。This work was searching and fixing the damaged Buddhism grottos which based on age, regional differences and shape. During the whole year working time, I fixed fifty statues of Buddhism grottos. Each statuesfized by myself, also merged my personal appearance, the comprehension of Buddhism statues and the feeling into my creation.

石还山 2019RETURNING STONES TO THE MOUNTAIN几年前曾在甘肃的黑戈壁遇到几座独立的大山，山下遍布着各种形状大小不一的石头，这些数量庞大 的石头是怎么散落在此的，我想它们一定是从山上滚下来的。之后再次进入黑戈壁找寻曾经遇见的那座山，将山下能搬起来的石头逐一记号，重新搬回山顶。最后，我给这座山命名为石还山 。A few years ago I encountered several mountains in Gansu's Black Gobi ,full of various different shape and size of stones arounding the mountains , these huge numbers of stones scattered here, I think they must have rolled down from the mountain. Then again into the Black Gobi to find the mountain I had met, the stones that can be lifted down the mountain will be marked one by one, and transported stones back to the top.In order to record this performance, I named it Huan Shi Mountain.

石还山，行为摄影，360x103cm，2019Returning Stones to the Mountain, behavior art photograph, 360x103cm, 2019

“褚秉超这一系列的行为创作与大地艺术虽然都发生在‘大地之上’ 但作品中的个人意志在个人行为上的附魂要更为强烈，孜孜不倦地涂抹石块，搬运石块，推动石块—一如那不断推石上山往复循环的西西弗斯。艺术家将自己浪漫意志赋予行为之中，撇除浪漫之后的生产意义是什么？自然中的行为与自然的关联在哪？石头是否最终有被还到原处？回想艺术家展厅外那原本观感奇幻的展览标题《石还山》，似乎艺术家从最开始就在暗示观众，咬文嚼字间的重点在于“还” – 是否归还等一系列的行为动作，或许艺术家将这虚无主义行为的答案留在了甘肃的戈壁之中。”——《石还山》展评 文/杜帆

无痕地 2019

LAND WITHOUT TRACE

这是距离石还山以南50公里处的一片彩色戈壁，厚实的黄沙上铺着一层含铁的碎砾石，零散的骆驼刺和起伏的地貌氧化了戈壁的颜色。狂风卷起细沙喷在脸上，这里能动的只有风和我，这让我觉得自己应该在这里做点什么。相信这里还没有人来过。有两个大石头曾经可能是一个整体，在这之后它们安静了几十万年。我用身体把石头推向了别处，石头走过地面拖出痕迹，风又卷起黄沙。

This colorful Gobi 50 kilometers south of Returning Stones to the Mountain, where layer of gravel with iron composite covers the thick yellow sand. The scattering camel thorns and the rolling topography oxidize the colors on the Gobi. Gusts of wind pick up the sand and blow on people’s faces. Here, only the wind and I are mobile, which compelled me to do something here. I don’t think people have been here. Two large boulders might have been in one piece, and they stood quietly for hundreds and thousands of years. I pushed the boulders elsewhere with my body, where they left marks on the ground. The wind picks up the sand again.

无痕地，影像截图，19′18″，2019 Land without Trace, video, 19′18″, 2019

七府環屏·夜火 2018

THE HILL OF QIFU

作品视频连接

《七府環屏·夜火The Hill of Qifu.Night Fire》（局部）https://v.qq.com/x/page/j0908b1fpqx.html

七府环屏·夜火是作品“七府環屏” 项目的延伸，用手机屏点亮这座山。在陡峭山体之间高举手机借光挪步行走，每走一步，远处的摄影师会拍下一张手机屏照亮留下的光点，直到将自己能爬山爬到的位置站满。最终将几万张记录我行走足迹的照片堆叠为一张照片并合帧为一段视频，记录和压缩了整个行为的空间与时间，点亮了一座山。

“Night Fire” is an extension of “the Hill of Qifu” ,I used a mobile phone’s screen to light up the mountain. held the phone and walked step by step between the steep mountains. The photographer in the distance recorded the picture of each spot from mobile phone screen to illuminate the light points left behind until I climbed the whole mountain with full of steps. Eventually, I compressed tens of thousands’ photos of the walking footprints which stacked into a single photo and framed into a video. The video records and compresses the space and time of entire behavior of light up a mountain.

七府環屏·夜火 影像局部

七府環屏 2016

THE HILL OF QIFU

2015年底，我来到位于甘肃省平凉市崆峒山中一个名叫七府的村庄。七府村的北边有一座自然滑坡坍塌的山体，我按照个人的审美和对自然的理解对山体进行了重新整治与修饬，初始阶段历时150 天，修改山体5500余立方米，栽植各类苗木7000株，并将这座经由个人意志改造的山命名为“七府環屏”。

这是一项长期性的以这座山为载体进行创作的项目。“七府”之地，“環屏”之山，是身体跟自然的直接接触，也是我获取自然的真实反应。

In late 2015, I went to this remote village Called Qifu Village, which is located in the KongtongMountain that is next to the Pingliangcity in Gansuprovince. In the north of the Qifu village, there was a natural collapsedslope, and by using my own aesthetic judgment, I have renovated, repaired, andmaintained the place to reach the peaceful environment I have pursued.

This work has taken us 150 days to complete, and we have reconstructed and fixed 5500 cubio meters of mountain, planted more than 7000 different kinds of plants, andrenamed this "man made', "sell-designed" mountain "The Hill of QiFu'. The first phase of the work has been already completed, and the second phase isstill under preparation. "The Hill of Qiru" is going to be a long term project of art. "Qifu's' land and the "mountain crater" that surrounds it are not there characterization of media, but the direct connection between the nature andour physical body. It's my way of obtaining the nature, and my way of expressmy unique artistic conception.

"当我了解这座山并走进它时能真实的感受到脚下的山体曾经的遭遇，于是就有了想要去修整一座山的想法，修出像山水画、田园诗那般意境的山，最后让一座坍塌的山成为一座名山。”

——戴卓群、褚秉超谈“石还山”

七府環屏 全貌 The whole view of the mountain

种植区域路线 Planting area

山体刻字 Carve words on the mountain

引水路线 Water diversion route

七府環屏，山体滑坡应对 The Hill of Qifu，Landslide solutions

七府環屏，刻字 Carve ‘ The hill of Qifu’ on the mountain

甘肃省，中国 / Gan Su,China

修缮前后对比（左：修缮前，右：修缮后）

绝对相册·自拍 2016

ABSOLUTE PHOTO BOOK-SELFIE

作品视频链接

https://v.qq.com/x/page/o038095fycq.html

在北京温榆河河边的一张自拍照。将自拍照片内所呈现的现实景物铲平，留照片一对。

This is a selfie taken along the banks of the Wenyu River. All of the scenic elements of the photograph have beer scraped flat, leaving a pair of photographs

绝对相册 · 自拍 Absolute Photo Book-Selfie 2016

海岸线 2013

COSTALINE

在中国的某个海滩上铺设500斤左右的石膏粉，等待潮汐的涨落，利用石膏的物理属性让石膏粉直接与海水交融，整个过程中石膏粉记录了海水的冲击·浸泡·腐 蚀而凝固成型。

Laying about 500 pounds of gypsum powder on a beach in China, waiting for the tides to rise and fall, using the physical properties of gypsum to make the gypsum powder directly blend with the sea water. During the whole process the gypsum powder records the impact, soaking and corrosion of seawater and solidifies. forming.

一条街景 2012

A STREET VIEW

用复写纸铺满一条街，记录了一天的街景。

Covering a street with carbon paper and recording the street scene of the day

一条街景 复写纸、新闻纸 2012

记录一场雨 2012RETURNING STONES TO THE MOUNTAIN

用石膏粉记录了北京的一场雨。

A rain in Beijing was recorded with plaster powder.

gypsum 90*90cm 2012

Artist

褚 秉超

1986年生于甘肃平凉

独立艺术家

毕业于湖北美术学院雕塑系

2010年至今工作和生活在北京

作品创作包括有雕塑、绘 画、装置、影像

Chu Binchao was born in Gan Su, China in 1986, and currently lives and works in Beijing, was graduated for Hubei Institute of Fine Arts. He is al multidisoiplinary artist working in soulpture, photography, video and installation.

个展经历

• “石还山”（个展，墨方，北京，2019）
• “七府環屏”（个展，墨方，北京，中国，2016）

其他主要群展及项目

• 第七届华宇青年奖入围展：圣状通道 华宇艺术中心 三亚 海南，2019
• “许村夏夜：大地的狂想曲”，山西许村，2019
• “时间开始了-2019乌镇当代艺术邀请展”，乌镇北栅丝厂，浙江，2019
• “过年特别艺术项目-万家灯火”，2019
• “十夜——BMCA艺术文件展”，北京，2016
• “所为何事”，北京，墨方，2015
• “不在图像中行动”，佩斯北京，北京，2014
• “WHY NOT!拍卖双年展”，上海世博会博物馆，上海，2013
• “关注未来艺术英才—计划10人展”，今日美术馆，北京， 2013

获奖经历

• 2019年获得第二届乌镇当代艺术邀请展-青年当代艺术创作奖
• 第七届明天雕塑奖 金奖

Solo exhibition

• Returning Stones to the Mountain in Mocube, Beijing, 2019
• The Hill of Qi Fu in Mocube, Beijing, 2016.

Part of recent group exhibitions and projects

• Huayu Youth Award Finalist Exhibition: Passage of Sinthome / Huayu Art Center / Sanya / Hai Nan, 2019
• A summer Night in Xucun Village: Rhapsody of the Earth, Xucun, China, 2019
• Now is the Time –2019 Wuzhen Contemporary Art Exhibition, Wuzhen, China, 2019
• Spring Festival Project - Myriad Twinkling Lights of the City, 2019
• The Decameron –BMCA Documenting Art, Beijing, China, 2016
• What For, Mocube, China, 2015
• Unlived by What is Seen, Pace Beijing, China, 2014
• WHY NOT! Auction Biennale , World Expo Museum , Shanghai ,2013
• Focus on Talents Project , Today Art Museum ,Beijing , 2013 ,etc.

Award

• Wuzhen Contemporary Art Exihibition / Creation Award
• 7th Towmorrow Sculpture Award

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